摘要
中国画在现代的曲折发展中主要途径有两条,其一为国画改良和中西融合派,主张用西方的写实主义或现代主义来改造中国画,其二为弘扬国光或坚守传统派,主张传统中进行自我变革,在继承中进行创新。这两条道路均推进了中国画的现代进程,并将影响21世纪中国画的创作走向。
Traditional Chinese Painting has followed two major courses in its tortuous development process, one of which is the school of reforming traditional Chinese painting and integrating both the east and the west and the other the school of carrying forward the fine traditions of traditional Chinese painting or sticking to our traditions. The former hold that traditional Chinese painting could be reformed with the aid of western realism and modernism; the latter argue that traditional Chinese painting should undergo self-transformation while holding on to our fine traditions and have innovation while inheriting the past.
出处
《南阳师范学院学报》
CAS
2009年第2期89-94,共6页
Journal of Nanyang Normal University
关键词
中国画
国画改良
中西融合
传统与创新
traditional Chinese painting
reformation
integration between the east and the west
traditionand innovation