视域的解放与感觉的新生——浅谈西方绘画色彩在中国油画中的生存态势与历史命运

Liberation of Perspective and Rebirth of Sense——A Brief Study of the Historical Fate and Existing Situation of Western Painting Color in Chinese Oil Painting

西方绘画色彩作为一个外来的绘画语言,在中国经过一两百年的成长和发展,最终生根发芽。当然,这在动摇中国人观念深处的色彩表现方法与感觉方式的同时也产生了具有中国元素的崭新的绘画色彩语言,尤其在中国油画中得到进一步的提升和拓展。但是,在当今中西方文化的碰撞中又为中国油画色彩语言的发展提出了新的思考。

Western painting color, as a foreign painting language, roots and buds in China after one or two hundred years of development. Of course, besides shaking the color expressive way and sense way existed in Chinese traditional concept, it creates fresh color language of painting with specific Chinese features as well. During this process, its value is promoted and extended in Chinese oil painting. However, with the influence of culture shock, it proposes new thinking for the development of color language of Chinese oil painting.