摘要
布鲁门贝格沿着卡西尔对神话思维的反思道路,以解释学的求证意识进一步深入揭橥审美神话的含混特性,印证了它作为一种"真理的剩余"的价值特征;他结合现代审美思想史语境,对审美神话中的自由说进行了深刻批判,进而为我们敞开了一种别开生面、充满魅力的审美思想史的"神话研究"。
Following Cassirer's criticism on mythical thinking, Blumenberg further reflects on the ambiguity of aesthetic myth from a hermeneutic sense of justification, and reveals its value as 'remainings of the truth'. Also, based on modern aesthetic intellectual history, he criticizes the theory of freedom in aesthetic myth and presents us with an unprecedented and intriguing study of intellectual history, study of myth.
出处
《外国文学》
CSSCI
北大核心
2009年第2期89-96,共8页
Foreign Literature
基金
教育部重大科研招标课题<20世纪外国文学思想史系列(德国卷)>(05JJD750.11-44207)
