摘要
朱熹在继承前人研究成果的基础上,对比兴的认识有了新的突破,从文学创作和表现手法的角度对比兴进行了深入研究。他给比兴所下的定义在形式方法上有了新的突破,且首次系统地标明了赋比兴,并从文学创作的角度具体区分了比和兴。
Zhu Xi has a new breakthrough in the literary ideas of comparison and affective image on the basis of the former results for he has given a deep research of comparison and affective image in the perspectives of literary writing and performance. The definition he gives comparison and affective has new development, and further exposition, comparison and affective image are systematically marked, and he also tells comparison from affective image.
出处
《河北学刊》
CSSCI
北大核心
2009年第2期253-255,共3页
Hebei Academic Journal
基金
2008年度河北省哲学社会科学规划研究项目<〈毛诗正义〉研究--以诗学为中心>(HB08BWX004)
关键词
朱熹
比兴
文学创作
表现手法
Zhu Xi
comparison and affective image
literary writing
technique of expression
