论半坡陶器的审美特征

On the Aesthetic Characteristics of Banpo Pottery

半坡陶器是在老官台彩陶的基础上发展起来的,是中国彩陶艺术的第一座高峰。当时当地的自然环境、渔猎生活、原始宗教乃至此前的石、骨材料的器物和编织物等,对半坡彩陶的艺术创造的灵感、情趣和表现内容产生了重要的影响。它们常常线条流畅、造型简朴,纹饰与器形高度和谐统一,并服从于实用原则。同时,半坡先民在创造彩陶时,还充分注意到了欣赏者的角度与效果。在纹饰风格上,写实性纹饰清丽俊逸,几何形纹饰质朴、典雅,两者交互影响,共同推动了纹饰的发展。

Grown out of the color pottery in Laoguantai, the Banpo pottery marked the first peak of art of color pottery in China. The current natural surroundings in the locality, the life of hunting and fishing, the primitive religion, and the stone and bone artifacts and knittings all exerted great influence on the artistic aspiration, taste, and contents of presentation of the Banpo color pottery. Always with smooth lines and simple designs, the linear decoration and shape of artifacts were highly harmonious and integrated, conforming only to a pragmatic principle. Mean- while, the ancestors in Banpo paid full attention to the angel and effect of appreciation when they invented color pottery. As a result, they created clear and elegant realistic linear decoration and simple and grand geometric decoration, which mutually influenced to promote the advancement of linear decoration.