摘要
在日常生活审美化的进程中,艺术品的形式和艺术家的身份都发生了不同以往的变化。在艺术创作中淡化技艺观念至上的追求致使艺术与非艺术的概念和艺术家与非艺术家的身份模糊难辨;没有技艺支撑的艺术品是单薄和缺乏审美价值的,仅仅依靠观念支撑的艺术品很难体现出艺术的独特语言;艺术家是集技艺与思想为一身的创造者。由此,在日常生活审美化的进程中,不应该是艺术与非艺术界限的消弭,艺术家与非艺术家身份的模糊,而应该追求艺术对日常生活的超越,艺术品与艺术家之间相互印证,使两者之间共同构成清晰明了的规定性和身份。
In the course of aestheticizing everyday life, the form of artistic works and the identity of artists both go through unprecedented changes. The conception of supreme artistry in artistic production is to be diluted to make distinction between art and non-art in conception, and between artist and non-artist in identity ,hard to identify. An artistic work without technical content is pale and short of aesthetic value, but a work only with technical content voices little artistic language. For the artist embodies artistry and ideology both in himself as an artistic creator. Therefore, the course of aestheticizing everyday life is not to obscure the distinction between art and non-art or between artist and non-artist in identity, but to seek an artistic excess of everyday life and a mutual confirmation between artistic work and artist to make the two form a clear and self-evident conventionality and identity.
出处
《陕西师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2009年第2期79-85,共7页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
基金
陕西省艺术科学规划(2008)年度课题(2008-002)
关键词
日常生活
审美
艺术品
艺术家
现成品
everyday life
appreciating beauty
artistic work
artist
existing object