摘要
《图绘宝鉴》在日本镰仓·室町时代被认为是理解中国绘画的基本资料,而现在对之校勘则需要参考俞剑华教授的著作,俞剑华教授的文章和研究,有一种很朴实而坚实的感觉。这样的学风也传到南京艺术学院的教授们,这正是含有中国内地的文化气息的学风。
Treasured Illustration for Painting (Tu Hui Bao Jian) was thought as the basic material for under-standing traditional Chinese painting in the period of Kamakura and Muromachi peirod in Japan. But to make proofreading for it now we need Professor Yu Jianhua’s books as the reference, so I feel familiar and profound when I read his essays. This kind of study air also extends among professors in Nanjing Arts Institute, and it is the study air that concludes the cultural air in the China's Mainland.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2009年第2期28-29,共2页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
日本
中国绘画史研究
俞剑华
Japan
research on traditional Chinese painting history
Yu Jianhua