摘要
1935年的台湾博览会,台湾总督府作为策展者,力求将台湾装扮成"繁荣"、"昌盛"的形象,这些展示成了外界判定"日本殖民有功论"的资料证据。当时,台湾知识分子对博览会有相关的记述和叙事,他们以自己的"小叙述",或纠正,或对抗策展者的"大叙述"。经由博览会这一空间,可以解读出台湾"殖民现代性"的驳杂性和多义性。
As a curator,Taiwan's Government made every effort to dress up Taiwan thriving and prosperous in Taiwan' s fair of 1935. The show was the materials to verdict "Japanese colonization active discussion" by the foreign hull. At that time, Taiwan intellectuals also had the related description and narration. By means of their own "small narration", they could correct and oppose the curator' s "big narration". By way of fair, we can unscramble the ambiguity and multifariousness of Taiwan' s colonial modernity.
出处
《台湾研究集刊》
CSSCI
2009年第1期91-100,共10页
Taiwan Research Journal
基金
教育部人文社会科学重点研究基地2007年度重大项目(07JJDGAT246)
教育部人文社会科学研究2007年度青年基金项目(07JCGAT002)
关键词
殖民性
现代性
策展者
参观者
集体记忆
文化认同
coloniality, modernity, curator, visitor, collective memory, cultural identity