摘要
以尼采的酒神精神为出发点,对尼采的美学话语以及尼采对待启蒙主义和抽象理性的批判,对物质——肉体和生命的高度肯定等哲学美学思想作尝试性的解说。分析认为,尼采美学以酒神精神为基点,体现出对生命和物质(肉体因素)的肯定和辩护,试图用具体感性克服抽象理性,恢复生命的丰富意义,在陶醉和狂欢中建构一种人人平等、泯灭等级的世界大同的乌托邦图景。
This paper tries to explain Nietzsche＇s philosophical aesthetics on the basis of dionysian spirit and illustrate Nietzsehe＇s criticism of abstract reason. The aesthetics of Nietzsche which focuses on the dionysian spirit embodies the affirmation and justification of life. This kind of aesthetics highly stres- ses the life factors--material and body factors, attempts to overcome the abstract reason with concrete sensibility, and resumes the richness of the life. Through intoxication and revelry, a utopian prospect has been constructed in which there are no inequality and no hierarchic rank and the whole world is in great harmony.
出处
《长安大学学报（社会科学版）》
2009年第1期107-110,共4页
Journal of Chang'an University(Social Science Edition)
关键词
尼采
酒神精神
美学
乌托邦
Nietzsche
dionysian spirit
aesthetics
utopia
