摘要
"戏曲表演文学"是阿甲在20年前提出的命题,表演艺术不仅应该涵盖情节、环境、事件、人物情感和思想等要素,而且还必须将文学、绘画中深刻的"论点"引入其中,从而把戏曲表演理论推向深入,因为塑造人物性格不是表演艺术的全部内涵和最高境界,艺术家尚长荣的表演就很好地证明了这一命题。
＂Xiqu opera performing literature＂ is a proposition put forward by A Jia 20 years ago. The performing art should not only contain such key elements as plot, environment, event, emotion and thought, but also introduce fundamental ＂ points＂ of literature and painting into it, so as to progress Xiqu opera performing theory. Characterization is not the whole content and ultimate state of the performing art, and SHANG Chang - rong＇s performance provides excellent evidence for the proposition.
出处
《艺术百家》
北大核心
2009年第2期118-121,共4页
Hundred Schools In Arts
关键词
戏曲艺术
表演理论
形神兼备
尚长荣
performing theory
with both form and essence
SHANG Chang- rong
