“牖中窥日”与“显处视月”——“2006·中国百家金陵画展(油画)”入选作品中的两种视角

"Peeping at the Sun through the Window" and "Looking at the Moon in the Open"——Two Perspectives of the Works Selected for "2006 Art Exhibition of a Hundred Oil Paintings in Nanjing China"

"牖中窥日"与"显处视月"本是支道林总结的北人与南人治学的两种方法和态度。笔者认为,用它们来阐释画家立意所出也非常切合。"2006·中国百家金陵画展(油画)"入选作品充分显示出南北地域差别对画家表达现实存在一定影响。本文将着重对几幅江苏入选作品和部分来自北方画家的作品进行比较分析,并试图证明南北地域与艺术创作存在着微妙关系,以期对艺术家的进一步创作提供一些参考。

By ＂ peeping at the sun through the window＂ and ＂looking at the moon in the open＂ , Zhi Daolin refers to the two different approaches and attitudes adopted respectively by the northerners and the southerners in doing their scholarly research.. The author of the present paper holds the view that those two terms are most suitable for expounding artists＇conceptions. The works selected for ＂2006 Art Exhibition of a Hundred Oil Paintings in Nanjing China＂ display the impacts of the regional differences between the south and the north on how artists express the reality. This paper makes a special comparison between several works of art from Jiangsu and some from the north, and attempts to expound and verify the subtle relationship between the regional differences and art creation, wishing to provide some reference for further creation of artists.