摘要
经典影片《夏伯阳》以其具有时代特点的创作方法确立了一种苏维埃式的"神话模式",引领起苏联电影的"社会主义现实主义"潮流,对于苏联以及其他国家的社会主义文艺创作产生深远影响。这一模式在特定的历史时期散发出了很大的审美魅力,成就不可否认,而其日后登峰造极、矫枉过正,则在于主流意识形态的推动和引导,是苏联文艺意识形态化、一统化的体现,也是文艺工作者对党性原则的简单化理解、观众趋同心理泛滥合力所形成的结果。
The classic movie Chapayev has formed a Soviet mode of myth for its features of the time and hence opened the door to the social realism. It is undeniable that this mode exhibits great aesthetic charm in its age. It finally however became the victim of Russian ideologization and concentration for the overwork of the dominant ideology. In fact, the Russian writers' simple--minded understanding of party spirit and the conformity of audience accounts for the failure.
出处
《北京师范大学学报(社会科学版)》
CSSCI
北大核心
2009年第2期47-52,共6页
Journal of Beijing Normal University(Social Sciences)
基金
教育部哲学社会科学研究重大课题攻关项目"历史题材创作和改编中的重大问题研究"(04JZD0035)