摘要
20世纪70年代之后,西方建筑学理论特别是对城市与建筑关系的理解形成一种包罗万象、百花齐放的文化现象。从柯林.罗的《拼贴城市》、到库哈斯的《癫狂的纽约》、再到弗兰姆普敦的《千年七题:一个不合时宜的宣言》、MVRDV的《阅读MVRDV》、斯坦.艾伦的《点+线》。引用了各篇著作的理论性观点并加以思考串联,纵览在不同时期理论家或实践者在建筑和城市相关问题上的认识变化,并研究这种思想流变的演进过程。
Citing the theories from a series of books and papers such as Colin Rowe's Collage City, Rein Koolhaa's Delirious New York ,Kenneth Frampton's Seven Points for the Millennium: an untimely Manifesto, Reading MVRDV,and Stan Allen's Points+Lines,this paper expounds the West-- ern architectural theory on the relationship of cities and architecture since 1970s. It focuses on the vector and trajectory of the theoretical development and the diversity of theories of architects in different epochs to come up with the knowledge of the theoreticl evolution of the relationship of cities and architecture.
出处
《西安建筑科技大学学报(社会科学版)》
2009年第1期66-70,共5页
Journal of Xi'an University of Architecture & Technology(Social Science Edition)
关键词
思想流变
城市与建筑
巨构形式
场域状态
vector of thinking
city and architecture
mega form
field condition