中国十七年电影英雄人物形象的符号学意义——以电影《红色娘子军》等为例

The Semiotic Significance of the Heroic Images in the Seventeen-year Films of China——Taking the Film The Red Detachment of Women for Example

本文试图以电影《红色娘子军》等为例,分析其英雄人物的具体特征,勾勒出英雄人物形象在十七年电影叙事策略中的重要地位,探讨英雄人物形象与作为符号存在的人的内在一致性和现实虚幻性,分析英雄人物的叙事形式和内涵上如何参与到十七年电影符号化叙事的过程之中,并最终形成主导地位。

Taking the film The Red Detachment of Women for example, this article attempts to analyze the characteristics the heroes, sketch out the position of the heroic figures in the narrative strategies of seventeen-year films, explore the conformity and realistic illusionary nature of heroic figures as symbols, and analyze how the narrative form and content of heroic figures became a part of symbohzed narrative process of seventeen-year films and ultimately occupied the dominant position.