“外师造化 中得心源”——中国画的写实与写意辩证关系浅探

"Study Nature outside,Catch Source Inside"——Analysis of the Dialectical Relationship between Chinese Painting Realism and Impressionism

中国画中既有以工整、细腻、逼真等写实特点为主的工笔画,又有以挥洒、流畅、气韵贯通,具有中国书法特质,以写意特点为主的写意画。世人由此将绘画分为写实派和写意派,且就重形还是重神之问题争论不休,而未知两面一体之理。对此,从辨证的角度分析了写实与写意、重形与重神的对立统一关系,指出要"外师造化,中得心源"。

Chinese paintings include both elaborate-style mainly with neat, delicate, life-like characteristics, and freehand paintings mainly with beautiful, smooth, the spiritual characteristics corresponding with the characteristics of Chinese calligraphy. Thus, people divide paintings into 2 schools： realism and impressionism. There is a heated debating between the emphasis of shape and spirit. Many people do not know the unity of the two sides . This article, from the perspective of dialectics, analyzes realism and impressionism, and emphasizes the unity of opposites between shape and spirit , pointing out ＂study nature outside, catch heart inside＂.