摘要
1942年春天,延安文艺界掀起一股批判性思潮,《在延安文艺座谈会上的讲话》(以下简称《讲话》)就是为整肃这股文艺思潮而形成的理论纲领。《讲话》本身是一个时段性、针对性很强的文艺发展方针。通过一系列的理论活动,周扬突破了中共中央当时对《讲话》意义的既定表述,不断大力提升《讲话》的历史地位。伴随着中国历史的前行,周扬意识到《讲话》精神的局限性,对其主要观点进行了拓展和修正。
In the spring of 1942,YENAN literary and art circles set off a surge of critical thought.Talks at the Yenan Forum on Literature and Art(hereinafter referred to as TALKS) is a theoretical program for purging the literary and artistic trend.TALKS itself is a periodical and targeted policy of literature and art development.Through a series of theoretical activities,Zhou Yang broke through the expressions of the meaning of TALKS which the Communist Party of China Central Committee had established.He continued to vigorously promote the historical status of the TALKS.Along with the advance of Chinese history,Zhou Yang was aware of the limitations of the TALKS and expanded or amended the main ideas of the TALKS.
出处
《中北大学学报(社会科学版)》
2012年第4期35-40,共6页
Journal of North University of China:Social Science Edition
基金
2012年度安徽省高校省级人文社会科学研究项目:和谐文化建设视域中的周杨研究(SK2012B193)