以蔡元培思想观念为中心——20世纪早期中国美术观念的公共性探略

Study on Cai Yuanpei's Ideology——Explore the Public Nature of Chinese Fine Arts Ideology in Early 20^(th)

美术的产生与发达,素来与人类社会及其生活形态的发展和需要相密切,因此美术文化及美育的社会性和公共性是有史可鉴的。但当社会步入财富与权力的私有化及商品化境地后,美术文化资源与利益的开放和共享即社会性和公共性便受到了严重的阻碍和损害,而现今我们回首20世纪中国早期至中期的中国美术观念,勘察和体悟其中思想言论的公共性将是十分必要的。其理由在于我们需要从历史的印迹中认识当代。

In the The early 20^(th) century,the traditional Chinese fine arts and the art circle,impacted by Western modernism,the new culture and the new thoughts,witnessed the modern transformation of ideology and the value system.Besides the discussions on the noumenon of fine arts,the modern transformation stressed on the study of the real connection between fine arts and the public,and tried to analyze the role of fine arts in the process of the whole nation's modern transformation. The particificaiton and multiple perspectives of social criticism of the Chinese intellectual elites and public artists had important historical and practical significances on the art,art education and the combination of remolding national character and enlightenment in public areas as well as on constructing the system to make art and art education more socialized, modernized,popularized and life-oriented.Meanwhile,the new communication among fine arts,aesthetics,anthropology, ethnology and social philosophy and other fields had been built so as to form the public discourse of Chinese fine arts ideology and value in early 20th,which made the history with the modernized exploration of the whole nation and fine arts, and opened the door for us to be part of world modernized art and culture.