摘要
音乐作品的认知在一定程度上取决于对音乐的欣赏和理解过程中的主观因素。这种主观因素并不是一味地强调音乐跟随人的意志而变化,也不是指音乐作品的存在价值完全依附于人的主观愿望的肯定,而是在认知作品的过程中运用主体的抽象思维、理性概念去支配其观察活动,使自己的"意识"全部作用于直观的事物(具象的客体)中,使主体的意识和一个单纯而具体的对象相叠合。这是音乐对于创作主体与观者之间的一个理性结合,它具有抽象具体化的价值内涵。只有充分地把握这个特征,才能正确地理解音乐作品的内涵,这对音乐作品的判断和创作具有积极的引导作用。
The cognition of music work is decided by the subjective factors in the appreciation and the understanding process. This kind of subjective factor dose not emphasize that music follows person's will,whereas not refers to the existence of music work relies on person's subjective desire.It means a person using the abstract thought and the idea controls observation,lets his'conscious- ness'completely affect the embodiment object,makes the subject consciousness and the pure and concrete object a whole thing.This is the rational union of the creator and the listener.Only has fully grasped this characteristic,a person can correctly understand the music work's connotation.
出处
《吉林艺术学院学报》
2007年第4期26-27,共2页
Journal of Jilin University of Arts
关键词
抽象因素
抽象与具象的统一
abstract factor
unification of abstract and embodiment