“世界音乐”内涵的变迁

Changes in the Connotation of "World Music"

本文回顾了古代西方对欧洲以外"世界音乐"的认识和近代美术界所谓东方主义对音乐创作的影响,着重证明民族音乐学这一学科的产生与西方"世界观"不断变化的密切关系,梳理了"世界音乐"从研究者的书斋走向课堂,直到进入到民众日常音乐生活的历程,指出目前"世界音乐"这个概念仍有着明显西方视角的印记。论文重点论述了在当今全球化背景下"世界音乐"内涵所发生的重大变化,列举了许多音乐类型在此趋势下发生的异化现象。作者特别指出"世界音乐"研究和教学应该有中国的视野,"开放性"和"包容性"应是它的基本特点。

This essay has a review of ancient western knowledge of'world music'outside Europe and the influence of modern fine arts field on musical creation.It proves that the appearance of ethnomusicology is closely related to the continuous change of western'world view'.It covers the range of'world music'from researchers studies to classes,and finally to common people's musical life.Meanwhile,it points out that the notion of'world music'still has the imprint of western angle of view.The tremendous changes in the connotation of'world music'are emphasized under the background of globalization in this essay,besides,it is enumerated that the phenomenon of dissimilation that many kinds of music produce in the trend.