摘要
椅子在实现自身功能的同时,展现在人们面前的是个"有意昧的形式"。当代坐具形式的变化蕴含着当代人审美思想的变革:从现代主义的抽象到后现代主义的杂糅,从高技术派的冷漠到波普艺术风格的戏谑,再到有机主义风格的生态化、人性化,当代坐具的设计成为观念与形式之间游走的精灵,方寸之地显现出当代审美思想的发展与流变。
While they realize their practical functions,chairs show'the form with meaning'to people.The formation change of con- temporary seats contains the transformation of contemporary aesthetic thoughts:from the abstract of modernism to the mixture of post-modernism,from the indifference of high-technology to the tease of pop art,and to the ecology and the humanism of the organic style.The contemporary seat design has become the spirit between the idea and the form,and the development and trans- formation of contemporary aesthetic thoughts appears in a square place.
出处
《吉林艺术学院学报》
2007年第6期38-42,共5页
Journal of Jilin University of Arts
关键词
当代
坐具
高技派
波普
后现代主义
the contemporary era
seats
high-technology
pop art
post-modernism