摘要
传统评论对捷克实验动画中蕴含的意识形态内容进行了偏狭的理解,认为捷克实验动画是在意识形态压制下进行的创作。实际上这是对意识形态理论的片面认识,这种观点也低估了动画家个人的审美创造能力。本文通过捷克著名动画家吉利·唐卡、扬·史云梅耶、吉利·巴塔作品的分析,阐释了这些动画家及其作品与意识形态之间复杂的内在关系。
The traditional comment on the Czech experimental animation contains the contents of a narrow ideology to under- stand that the Czech Republic experimental animation has devel- oped under the creative ideology of repression.Actually,this is not a comprehensive theory of ideological awareness,such views has too low estimated the animation and the personal aesthetic creativity.Through experimental animation-famous Czech Geely·Tangka,Shi Yang? Myers,Geely? Bata works,the article explain its ideology and the intrinsic relationship between the complex.
出处
《吉林艺术学院学报》
2007年第6期116-123,共8页
Journal of Jilin University of Arts
关键词
捷克实验动画
意识形态
审美
Czech experimental animation
ideology
aesthetics