女人的梦幻/梦幻的女人——解读易卜生的现代主义作品《海上夫人》

Revival from "Death Desire"——Explanation of Ibsen's New Literary Turn of His Dramas

亨利克.易卜生是个极度自我矛盾的人,他的每一部剧本都是对前面一个或者几个剧本的修正或者反驳。《海上夫人》被认为是他戏剧创作中的又一次转向,对于这个转向人们常常会有不同的理解。这个转向应当是指他的创作重心从描写人与外部环境的冲突转向通过对人物内心世界矛盾的描写来反映人的心理历程,是对他此前写作的"扬弃",使他的作品从现实主义走向现代主义。

Henrik Ibsen is a very contradictory person.Each of his new drama will revise or refute his previous ones.The Lady from the Sea is regarded as another turn of his dramas,to which different people have different opinions.The turn should be the focus of his dramas shifting from the conflicts between the heroes/heroines and their outside environment to the ones in their inner mind.It's a development of his drama.