摘要
宋剑华和张冀充分强调"样板戏""在其纯艺术追求方面"对于中国传统戏剧艺术形式的变革具有极大推动意义,而且"作为中国文学审美现代性的主观倾向"不能随意加以否定。黄云霞以政治理念对"英雄"塑造的影响为例证对戴锦华等提出的"样板戏"的现代性质素进行了质疑。在对上述观点进行清理的前提下,论文指出可以从工具理性、政治理性的角度来讨论本土化的中国现代性,应该看到中国文艺的现代性及其革命的辩证法。
Mr.Song Jianhua and Mr.Zhangji emphasized that model Beijing opera has promoting meaning for Chinese traditional opera in the aspect of artistic pursuing;and we can not deny its subject tendency of the modernized Chinese literature aesthetic.Hang Yunxia takes the influence of "hero" as example and doubts the modern meaning of model Beijing opera.Based on the above ideas,the paper points out we could discuss localized Chinese modern in the aspect of tool sense and political sense,understand its dialectics of modern nature and revolutionary nature.
关键词
“样板戏”
现代性
审美现代性
model Beijing opera
modern nature
modern aesthetic