摘要
以世界时尚之都著称的巴黎,空气中似乎永远弥漫着时尚的气息,一年四季从不消散,从香榭里舍大道列名店街,从时尚杂志到地铁海报,它感染着不列松镜头下买红酒的小男孩,也浸泡着所有路过D&G时装店的年轻人,无论是在街边喝一杯咖啡。
If we look at those globally reputed brand names,the LEVI's of the US,the LV of France,the PAUL SMITH of the UK,or the PRADA of Italy,you name it, each of them has become not only the representative of the fashion industry, but also a part of the culture or a fashion scenery of the country or the city from which it originates.This is particularly true in Paris,where the window in a fash- ion shop is often the first and utmost el- ement to catch the eyes of the pedestrians.The window has always been designed in ways that the displayed fashions are updated constantly and at the fastest pace;they serve as a foil to the distinctive character of each of these fashions on display.Glamorous as they are,the window is designed to covey more than they look;they,through a spe- cial language,have become an insepa- rable part of the city image,history and culture of Europe.So why not we come to the window display of European branded fashions this March and figure out the association of brand names with the displaying designs.
出处
《中国制衣》
2006年第5期66-69,93,共5页