摘要
中国传统文学中咏月现象极为突出。从审美主客体关系考察,这是作为客体的月与审美主体中国人的审美心理相适应的体现。儒、释、道三家共同作用,形成了中国人独特而稳定的审美理念:对中庸、和谐、纯净、虚幻和宁静事物的追求。月作为客观存在的宇宙星球,它蕴含着中庸、和谐、纯净、虚幻和宁静的内涵。月与审美心理的适应,使得人与月交融一体,密不可分。
Writing poems about the moon is remarkable in Chinese traditional literature.In the aspect of aesthetic subject and object,this is the refection of the adaptation of the moon as the subject and the Chinese people s aesthetic sentiment as the subject.Confucianism,Buddhism and Taoist form a special and stable aesthetic sentiment that is pursue of common,harmonious,pure,unreal and peaceful things.The moon as the object celestial in the universe means common,harmony,pure,unreal and peace.The adaptation of the moon and the aesthetic sentiment blend the people and the moon with each other.
基金
陕西省哲学社会科学基金项目,立项号:05J008Z。
关键词
咏月
审美心理
客体特征
talking about the moon
aesthetic sentiment
characteristic of the object