极小至极大,一种存在意识的泛化解说——从诗歌《孤独的麻雀》到北冥之鲲的嬗变

From Minimum to Maximum:A General Comment upon the Existendal Consciousness

论文从赏析诗歌“孤独的麻雀”入手,评析小鸟独吟楼台与诗人独立寒秋、恻然吟哦之间的类比关系,由此引申出因雀起兴,抒发愁心的人生话题是一个超越时空的共性现象:从楚诗人屈原至历代的文人……而天地之大,我之极小,茕茕孑立的麻雀走不出困惑的境地,只缘沦于狭隘的独我悲观世界。而存在的意识宛如浩然虚空,杳无所际,如古之《淮南子》所揭示的那样,清虚宁寂,缈然无可测。意大利诗人笔下的孤雀,帐无所依,茫然于生命的小我之见。

The paper, starting with the appreciation of 'Lonely House Sparrow,' evaluates the analogical relationship of the bird chanting alone at a tower and the poet pondering in the chilly autumn air, and finds that the expression of gloomy mood is a universal topic transcending time and space. Writers from Qu Yuan to the present figures, in the presence of the sublime universe and the tiny self, would sink into a pessimistic world of the self, and thus the existential consciousness would become dimly misty as revealed in Huai Nan Zi, a Chines classical work. Thus the sparrow described in the Italian poem expresses the confusion and loneliness aroused by the consciousness of the negligible self.