摘要
《华氏911》以尖锐、直白的影像语言和叙事风格,将真实的影像纪录演绎为政治宣传,这种真实性的局限将复杂而多变的生活简单化、集约化,从而偏离了真实生活的轨迹,淡化了其应具有的思想深度,削弱了观众的思辨力。
Using the sharp-sighted straight film languages and telling style,Fahrenheit 9/11 plays the factual documentary film as a political propagation,whose factuality limitation simplifies and concentrates the life' s complexity and changeability,so that it has diverged from the real life rail,desalinated its ideological depth that it should have and weakened the audience' s discerning power.
出处
《吉林艺术学院学报》
2006年第3期14-15,共2页
Journal of Jilin University of Arts
关键词
纪录电影
真实性
局限
Documentary Film,Factuality and Limitation