轻形·重神·尚意——中国古代人物画的艺术追求

Less Shape More Verve Think Much of Conception on—Target of Chinese Figure Painting

本文通过我国各个历史时期哲学家及美学家们关于形、神、意的论述,揭示我国关于形与神理论的产生和发展。并通过实例来论述我国人物画轻形、重神、尚意的审美特征和艺术追求。

the theory of the development of shap and spirit is told in this article by discussing of shape,spirit and conception in every historical time And tell us about less shape,more verve and much of conception,which art target and aesthetic character of Chinese painting.