摘要
民族性和当代性相统一,是中国诗歌发展历程中曾经引起广泛讨论的问题,但无论是在理论观念上还是在诗歌创作实践中,至今并未得到很好地解决。本文再次提出这个话题进行讨论,希望引起学术界和诗歌界的关注。首先,本文认为中国诗歌的民族性主要体现在对于平仄、韵律与建行等格律因素的讲究,对于意泉艺术的讲究,对于语言的准确、简洁的讲究,对于艺术形式的精粹、典雅的寻求等;其次,作者探讨了诗歌的当代性问题,认为诗的当代性是指诗歌作品中存在的一种现代倾向,即反映出当代人的精神风貌和心理形态,同时也体现出诗人在艺术上的一种新探讨及其这种探索所产生的新的因素;最后,作者联系中国新诗发展史的事实,分析了中国诗歌作品中民族性与当代性相统一的形态和统一途径的种种可能性。
The issue, concerning the unity of Chinese and Western poetry, which ever caused extensive discussion in the Chinese poetic development, hasnt been cleared up till now, either in theory or practice. The subject is mentioned again to call attention of academic and poetry circles. Firstly, the article argues that Chinese poetic nationality lies in stressing of tonal patterns, rhymes, images, accuracy and simplicity of language , seeking for essence and elegance of artistic form. Secondly, the author argues that modernity refers to a certain kind of modem tendency existing in poems, which not only reflects modern people's spirit and psychology, but also shows poets'new pursuits in art and new evolved factors. Lastly, aiming at the Chinese poetic development, the article analyzes all kinds of possibilities of styles and ways which unify nationality and modernity.
