摘要
In 1996, TATSUO MIYAJIMA’s works “Star” was exhibited in Japan Chiba Art Gallery. This is a totally-closed internal space. The narrow passage wasextended to the inside ofthe exhibition hall, workswere in the totally-closed internal space and the sparkling space was converted to the floor. Each sparkling starwasa number, starlight of which was flickering and it seemed to bring us to a cloudless night sky. TATSUO MIYAJIMA accurately grasped such a unique vision factor, the diode monitor (bright light), constantly converted itintotheart language environmentof vision and reflected the spiritual world of man. Where TATSUO MIYAJIMA distinguished from “MatterFaction” lied in making useof modern industrial matters from primitive matters. Based onMatter Faction, TATSUO MIYAJIMA outstretchedly adopted diode monitorandendowed numberconceptto the matter, that’sto say eastern concept. “Number” in theform oflightplaysfunction in vision field, which createsgap with using primitivenaturalmatters reflected in vision. TATSUO MIYAJIMA’suniqueart language hasdetermined hisartactionand artcreation modein differentplacesand differentcultural background space. He constantly changes display methods, sometimes flat and sometimes three-dimensional, which is variable, flourishing in the world and occupying people’s soul.
In 1996, TATSUO MIYAJIMA’s works “Star” was exhibited in Japan Chiba Art Gallery. This is a totally-closed internal space. The narrow passage wasextended to the inside ofthe exhibition hall, workswere in the totally-closed internal space and the sparkling space was converted to the floor. Each sparkling starwasa number, starlight of which was flickering and it seemed to bring us to a cloudless night sky. TATSUO MIYAJIMA accurately grasped such a unique vision factor, the diode monitor (bright light), constantly converted itintotheart language environmentof vision and reflected the spiritual world of man. Where TATSUO MIYAJIMA distinguished from “MatterFaction” lied in making useof modern industrial matters from primitive matters. Based onMatter Faction, TATSUO MIYAJIMA outstretchedly adopted diode monitorandendowed numberconceptto the matter, that’sto say eastern concept. “Number” in theform oflightplaysfunction in vision field, which createsgap with using primitivenaturalmatters reflected in vision. TATSUO MIYAJIMA’suniqueart language hasdetermined hisartactionand artcreation modein differentplacesand differentcultural background space. He constantly changes display methods, sometimes flat and sometimes three-dimensional, which is variable, flourishing in the world and occupying people’s soul.
出处
《雕塑》
2004年第6期56-57,共2页
Sculpture
