摘要
The Continuation of3rd Periodicalto This Article: It’s necessaryto know “Solemn and QuietMethod”, which iscloselyinterrelated to thesolemn and quiet feeling of mode category. Generally speaking, it reflects “Apollo” ofwestern culture, reflects reasonable spirit of treating nature and expressional interest and cognition in natural mathematics early in ancient Greece era. In the process of western classical sculpture development, this belief is always persistent, which reflects the “Solemn and QuietMethod” ofthisbelief, anditalsoimpactssculpture form deduction all long. Related to thecultural mentality of western nations,related todiscontented “Enthusiastic Soul”, “Solemn and Quiet Method” has become an invisible “Space” restriction restraining sculpture and a “Jail of Stone” restraining human body “Performance”. There is acute contradiction existing between “Enthusiasm” and “Solemnityand Quietness”,“Soul”and “Method”,“Reality” and “Dream”, and “Time” and “Space”, which forms a powerfulexpansionto make western classicalsculpturemode continuouslydeducted activities. Behind Rodin, “Enthusiastic Soul” is always harnessing unrestrained “Sculpture Mode” and freely hovering in boundless “Outside” space.
The Continuation of3rd Periodicalto This Article: It’s necessaryto know “Solemn and QuietMethod”, which iscloselyinterrelated to thesolemn and quiet feeling of mode category. Generally speaking, it reflects “Apollo” ofwestern culture, reflects reasonable spirit of treating nature and expressional interest and cognition in natural mathematics early in ancient Greece era. In the process of western classical sculpture development, this belief is always persistent, which reflects the “Solemn and QuietMethod” ofthisbelief, anditalsoimpactssculpture form deduction all long. Related to thecultural mentality of western nations,related todiscontented “Enthusiastic Soul”, “Solemn and Quiet Method” has become an invisible “Space” restriction restraining sculpture and a “Jail of Stone” restraining human body “Performance”. There is acute contradiction existing between “Enthusiasm” and “Solemnityand Quietness”,“Soul”and “Method”,“Reality” and “Dream”, and “Time” and “Space”, which forms a powerfulexpansionto make western classicalsculpturemode continuouslydeducted activities. Behind Rodin, “Enthusiastic Soul” is always harnessing unrestrained “Sculpture Mode” and freely hovering in boundless “Outside” space.
出处
《雕塑》
2004年第6期58-59,共2页
Sculpture
