摘要
姚永康的激情是开放的,敢爱敢恨,很容易激动。倘若感到痛苦,绝不会故作轻松,他会让人看出他的不快。或许是燕赵慷慨悲歌的历史赠予,使他的内在气质有一种超脱的精神。在艺术探索过程中,他没有重复自己,而是不经意地改变自己。
Yao Yongkang is open in passion, courageous in love and hatred, and easy to excite. He is always satisfied with current situation, or doesn't obey written laws. As far as his age is concerned, he can cognize and personally feel Chinese people's spirit reality, but Yao Yongkang always uses honest and natural attitude to treat life and art. He thinks that only wholehearted dedication to living in nature can just experience humanism, object nature and essence of life, just feel the essence of an and just create natural pottery works. Therefore, he is always looking for super-substantial and outer-secular things.He frequently works with his mind and causes mental figure for little improvement in his creation and consolidation of expressing depiction. All of his domestic and foreign personages of the same trade, who had read his works, appraised him. From his 'Century Boy' serial, 'Emptiness' and 'Silence', etc, it's not difficult to see there is relative grumous eastern classic complex in his body; actually he is especially enthusiastically fond of modern art; he is a young man essentially, modem form-going and behavior-free and easy artist. He makes up his own spiritual garden with his own art and intelligence.
出处
《雕塑》
2004年第1期46-47,共2页
Sculpture