《舞论》与《诗学》——论古印度和古希腊戏剧情节观念之异同

Natyasastra and Peri Poietks-On the Difference and the Similarity in the Actions of Drama between Ancient Indian and Ancient Greek Operas

古希腊《舞论》对戏剧情节所做的关节与关节分支的论述,体现出东方戏剧艺术家的直觉经验思维的特点,具有强烈的剧场意识和观演指导意义;而古印度《诗学》则从行动的摹仿入手,严密地分析推断了戏剧情节的本质和戏剧情节创造的若干重要规律,是品位极高的戏剧美学理论源流。两书内容不同而又相通,对今天的戏剧艺术发展有重要参考价值。

The discussion on the joint and the branches of joint of the action of drama in Ancient Greek opera Natyasastra incarnates the speciality intuitional experience of oriental drama players whose views possessed strong leading sense of stage and audience; Ancient Indian opera Peri Poietks strictly analysed and concluded the essence of the action and several important principles rooting from action of drama by studying the imitation of the action , which is the theoretical source of dramatic aesthetics. These two works have not only differences , but also similarities , which have significant values in the development of today' s art of drama.