摘要
西方早期浪漫主义音乐的美学思想被称为"器乐的形而上学",它把维也纳古典乐派,特别是贝多芬看作为"浪漫主义的典范"。作为一种音乐美学现象,在它渗透到浪漫主义音乐写作的技法与形式之前,是以一种接受方式出现的,这也是十九世纪浪漫主义情感论音乐美学所具有的一个显著特征。
The aesthetic thought of the early romanticism of music is known as the 'metaphysics of instrumental music' in the west, it regards classic music group of Vienna, especially Beethoven as the 'model of romanticism'. As a music aesthetic phenomenon, before it permeates through the skill and form of writing of the romanticism of music, it appears as way of a kind of acceptance, which is a remarkable character of romanticism emotion of music aesthetics in the 19th century too.
出处
《吉林艺术学院学报》
2004年第4期24-26,共3页
Journal of Jilin University of Arts
关键词
古典主义音乐
浪漫主义音乐
器乐的形而上学
情感论音乐美学
classical music
romanticism music
metaphysics of the instrumental music
emotion music aesthetics