摘要
本文从历史的发展角度探讨了我国传统写作结构中隐存的"四结构"(起承转合)之流变脉络。先从甲骨文的"四"字形体 中加以考释,得出上古先民有两个"四"的概念和思维;继之,又分析了甲骨卜文、原始歌谣、《诗经》、《尚书》等典籍材料的"四结构";最后 从我国的戏曲文本、八股文、现代散文等材料中厘析和印证"四结构"的发展与痕迹。
this article traces the formation and development of 'Si Jie Gou' ( opening, developing, changing and concluding -four steps of a composition of an essay ) hidden in Chinese traditional writing structure from the historical perspective. First, by studying the shape of character 'Si' in Jia Gu Wen (inscription on bones in early time ), it concludes that our ancestors have two concepts and understandings about the character 'Si'; second, by analyzing 'Si Jie Gou' embodied in Jia Gu Bo Wen, original folk songs, Si Jing, Song Shu; third, from analyzing materials such as our playwriting, Ba Gu Wen, modem essays, it further proves the development and tracks of 'Si Jie Gou'.
关键词
中国传统
写作结构
"四分法"
成因
Chinese tradition writing structure 'Si Fen Fa' cause of formation