摘要
格里格《培尔·金特》戏剧配乐在成就戏剧史上巨作的同时,自身也成为音乐史上的不朽经典。然而,《培尔·金特》组曲的流行却是以牺牲原戏剧配乐中富有生机和戏剧张力的成分为代价的。嗣后敏锐的指挥家和艺术家们所作的有成效的弥补工作理应赢得我们的尊敬和重视。
The incidental music of Peer Gynt by Grieg is great recordings in drama history and becomes monumental classics in music history. However, suites in Peer Gynt are popular at the cost of the loss of vigor in incidental music and dramatic tension. The effective remedy of the keen conductors and artists should be respected.
出处
《浙江传媒学院学报》
2004年第4期17-21,共5页
Journal of Zhejiang University of Media & Communications
