摘要
本文通过《狂人日记》、《七巧板》的对比研究,提出了关于文学作品“狂人”形象的新见解:金乃文的荒唐表明用心理动力定型形成的下意识的表现,而“狂人”之“狂”则体现了他早先是一个清醒的反封建战士,但在长期的与封建势力的对垒中精神崩溃了,他对封建礼教及其复杂的封建利害关系的类似自动化的反射系统,同样是心理动力定型学说的反映。本文试图通过心理动力定型学说,在心理学与文学艺术之间架起一座桥梁,为解读小说及其他艺术形式提供了一个新的视角。
By making a comparative study of' Diary of A Madman' and 'Tangram', this article comes up with a new interpretation of the image of the 'Madman' in literary works. The absurdity of Jin Nai-wen is a sub-conscious behavior under the stimulation of the psychological dynamic stereotype,while'the madness'of the 'Madman'demonstrates that ha was originally a sober-minded anti-feudalism fighter,but later after a long exhausting struggle with the feudal forces ha finally collapsed completely.The'Madman's' nearly automatic reaction towards the ethics of feudal society and relevant complicated feudal society and relevant complicated feudal relations of interests is also a reflection of the theory of psychological dynamic stereotype.Trying to build a bridge between psychology and literary arts in the light of the theory,this article offers a new insight into the interpretation of novels and other literary forms.
出处
《江南大学学报(自然科学版)》
CAS
2001年第1期37-40,共4页
Joural of Jiangnan University (Natural Science Edition)
关键词
狂人日记
七巧板
心理动力定型
狂人
Diary of A Madman'
'Tangram'
psychological dynamic stereotype
Madman