摘要
二十世纪后期,随着艺术史学科研究的不断深入及学科对象、范围的不断扩大,以“内向观”为指导的艺术史研究方法逐渐显示僵化与封闭的局面。艺术史学科要求突破单一、封闭的状态,广泛向结构主义符号学、后结构主义、女性主义、新马克思主义等思潮借鉴观念与方法,使艺术史研究出现了一些新的趋向。
in the later period of 20th century, along with the deepening of art history research, the introspective study appeared to be rigid and restrained. The unilateral and closed state of art history study required a breakthrough and hence borrowed the concept and method of structural semiotics, post structuralism, feminism and new Marxism, leading to some new trends in art history study.
出处
《湖北美术学院学报》
2001年第2期7-10,共4页
Hubei Institute of fine Arts Journal
关键词
艺术史
符号
女性主义
艺术社会史
阐释
art history, semiotics, feminism, art social history and explanation.
