摘要
水彩画从传统的所谓“正宗”走到了现代的多元,表现空间和技法上不断破除现有的模式,同样能够使水彩画的范畴更加广泛。
watercolor has moved from 'the orthodox' of tradition to today's diversity, constantly breaking away from the available model in its presentation and technique and enlarging its scope.
出处
《湖北美术学院学报》
2001年第2期49-50,共2页
Hubei Institute of fine Arts Journal
关键词
正宗
多元
美
模式
the orthodox and diversity, beauty, model.
