摘要
从音乐艺术样式的递嬗、传播的途径及风格与技巧的关系上分析流行音乐存在的主客观条件,有利于人们认识传统美学理论对流行音乐研究的贫乏,从而开启流行音乐批评的新视角。
From the relationships between musical art mode,way,style of distrubution and techniqnes,analysing the subjective and objective conditions of popularmusic is favourable to grasp the lack of research of traditional aesthetics theory to popular music,thus opening the new angle of view of criticism on popular music.
出处
《牡丹江教育学院学报》
2001年第4期10-11,共2页
Journal of Mudanjiang College of Education