“山”月与“情”月——简论南朝与初盛唐月诗中月景与诗情之关系

The Moon of"Mountain" And The moon of "Sentiment"——Simply Discuss the Relations between Lunar Scenery and Poetry Sentiment in Poem of The Southern Dynasty and the Beginning of Tang

自《月出》始发至南朝,月景实可谓诗情之附庸。月亮在南朝文人的笔下独立出来,在谢灵运为首的山水诗人诗中,我们才看到了真正的山水之月。然而,此时月诗中月景诗情虽搭配合理,但并未圆融。直至初唐诗坛月诗中,月景诗情方才融为一体。中国的月亮文学在李白手中趋于成熟,他将内心情感融入月中,为我们捧出一轮至情之月。在此之后,月诗更是缤纷多彩、发扬光大。

From the dynasty of ＂Moonrise＂ to the Southern Dynasty, lunar scenery is always dependency of poetry sentiment.It is independent in the poem of Southern Dynasty, we can discover the genuine lunar scenery in landscape poem,which with the header of poet Xie Lingyun.However,lunar scenery and poetry sentiment matches reasonably this time, they has not melted until the beginning of Tang.The moon literature in China tends to be mature from poet Li Bai, he integrates his sentiment in poem described moon, a moon within sincere feeling unfolded before us. After this, the culture of moon poem has a colorful period of history and carried forward in China.