摘要
Poetry is, in part, a game played with words. Form is the frame in literary experience, meaning is the transformed fantasy. This essay is meant to approach Shelly’s "Ozymandias" to show how he portrayed that dream world, whose melancholy functioned an expression of the disillusion- ment and word-weariness, from the perspective of form and figures of speech. In this Petrarchan sonnet, what a reader could seek or experience is not the satisfaction of metrical pattern, but its variation; not the obvious extravagance of words, but its implied meaning.
Poetry is, in part, a game played with words. Form is the frame in literary experience, meaning is the transformed fantasy. This essay is meant to approach Shelly's 'Ozymandias' to show how he portrayed that dream world, whose melancholy functioned an expression of the disillusion- ment and word-weariness, from the perspective of form and figures of speech. In this Petrarchan sonnet, what a reader could seek or experience is not the satisfaction of metrical pattern, but its variation; not the obvious extravagance of words, but its implied meaning.
出处
《内蒙古师范大学学报(哲学社会科学版)》
1999年第S3期40-42,共3页
Journal of Inner Mongolia Normal University:Philosophy and Social Sciences Edition