摘要
蔡琰是中国古代卓著的女子,能诗文,善书法,妙于音律,她的作品大多散失。我们认为,现流传的三篇诗的内容大同小异,写的却是她被掠、没胡、归汉的苦难经历,抒发她的悲愤,是她归汉后“感伤乱离,追怀悲愤”而写的。有五言诗,有楚歌体;或抒情,或叙事。在文学领域里,蔡琰是个有胆识的通人,敢于择取又善于创新,胡笳的声调、楚骚的抒情,民歌的叙事,都大胆“拿来”,丰富融汇,加强其表现手法。
Cai Yan was an outstanding woman in anciennt China. She was good at poetry, calligraphy and temperament. Most of her works were lost in the long years of social upheaval.The three poems that have handed down have caused in the past centuries different opinions about their genuineness, their content and their artistic values. We think that the content of the three poems are somewhat the same, all about her bitter experience. In the world of literature Cai Yan was a woman with courage and insight. She was brave to take as she was good at creation. The tone of Hujia , the emotion of Lisao, the narration of folk songs were all made use of by her to create a touchng image.
出处
《内蒙古师范大学学报(哲学社会科学版)》
1999年第1期37-44,共8页
Journal of Inner Mongolia Normal University:Philosophy and Social Sciences Edition
关键词
蔡琰
诗
比较研究
胡笳
楚歌体
comparative study
hujia
the style of Chu
songs