摘要
一.从“以形写神”到“以神写形”—关于雕塑创作中情感的真实性探讨 中国的文化正是基于以无和空的文化内核。《庄子》曾提出“形残而神全”,即美不在于事物具体的“形”上,而存在于事物抽象的“神”的观点。他的说法和老子“大音希声”的观点是一致的,都是以“道”这个天地万物之舟这个类似于柏拉图所说的“理念”
The author expounds his views in the following four aspects:1. The exploration of truthfulness of emotions in sculptural creation from giving priority to the spirit with the help of the form to highlighting the form with the help of the spirit.2. The process from distincmess to fuzziness is an exploration of truthfulness which is shown by the fuzzy language in sculptural creation.3. The process from complexity to conciseness is an exploration of truthfulness which is shown in the simple form of sculptural creation.4. The process from 'scientific art' to 'science of art' is an exploration of truthfuh^ess of object phenomenon in the course of creation.
出处
《雕塑》
1998年第3期8-9,共2页
Sculpture