“书法新古典主义”的审美价值取向

Orientation of esthetic value of neoclasical calligraphy

周俊杰先生提出的“书法新古典主义”，是近年在书法理论界产生广泛影响及普遍关注的当代书法创作理论主张。这一主张突破了传统书法以晋唐为宗法的思维与创作模式。提出宗法秦汉魏晋的崭新书学思想。本文从社会历史文化背景、“书法新古典主义”的审美价值取向、对书法“经典”的重新审度等三个方面深入论述了这一理论主张的开创性价值与指导意义。并对理论的完善及能动地指导当代书法创作提出了一些建设性意见。

The theory of neoclassical calligraphy put forwardrecently by Mr Zhou Junjie is an attrac-tive proposition for calligraphical creation which encourages calligraphers to model themselves after fore-runners in Qin,Han,Wei and Jin dynastiesat the expense of those from Jin down to Tang dynasties.Thispaper makes an in-depth investigation into the initiative and guiding unction of his proposition from thethree angles of historical and sociocultural background,esthetic value orientation of neoclassiical calligra-phy,and reexamination and reestimation of calligraphical classicism,and submits some constructive pro-posals for its theoretical perfection and dynamic guiding role.