摘要
作为西方艺术中长期居于主流地位的写实绘画,其主要理论来源于古希腊哲学思想,核心问题是人(主观)与自然(客观)的关系(意识到人自身也是客观世界的一部分是后来的事情)。艺术中的美来自人的心灵还是自然,古希腊哲学家有不同的看法。 写生的自然中的美与人的心灵的美。
Up to now Realistic Painting has been considered as the principal aspect in contemporary oil painting of China. This artistical terms was utilized widely both in various situations and significances with higer frequency. Author surveied the contents, basic contradiction and historical turn of this terms from theoretical and historical angles, and looked forward to view the realistic painting in contemporary China by new standards.
出处
《美苑》
CSSCI
1997年第2期33-36,共4页