摘要
1.当代中国所处的特定的复杂的多元性的文明境况,使得任何一种艺术性言说都变得十分困难。尤其是艺术评论与艺术批评似乎都在自说自话,在美术界同样如此,你讲你的,我画我的。有的只是充斥大众传媒的介绍性文章。一边是很有吸引力的商业性画作,一边是所谓实验性的今日先锋。但是讲到底,在探索、实验的背后仍然隐藏着经济利益,或在其实践过程中异化为经济目的。这是全球范围内进入商业社会的普遍规律。
Since commerical messages overflowing, the frontier arts are centralized continuously and then the cultural patterns are widened and enlarged simultaneously by the new frontier arts. With the result, modern oil has appeared a tendency to reproduce and to join-stick recently.
出处
《美苑》
CSSCI
1997年第5期6-8,共3页
