摘要
水彩画是以其自身独特的水性语言来展示它耐人寻味的魅力,是极富生命力的一个世界性的大画种。然而,不可思议的是水彩画在以藉水见长的我国,却长期以来一直不成气候、欲振不兴。尤其是动乱的厄运影响,更是备遭冷落,日趋低谷,只有极少的画家还在那里惨淡经营。直至近十年来水彩画的形势才大为好转,特别是这几年,活动频繁,搞得颇有生气。
The history progress, present condition and problems of Chinese water-colour are researched and discussed here. Author holds that water-colour painting is non-externally artistical form because all of tranditional paintings, such as skeleton-hidden, ink -wash, colored-ink-wash are the water-colour paintings with Chinese features. After West water-colour importing into China, the painting groups above mentioned were separeted gradully from trandi-tion to form an independent school, and in the meantime West water-colour began to agree with Chinese paintings in fact.
出处
《美苑》
CSSCI
1997年第5期36-40,共5页