摘要
中国当代美术像一只飞梭,在短短的十年穿过了上百年的时光。尤其是’85’86美术新潮的出现,揭开了中国美术史新的一页,涌现出一批富有锐气的弄潮儿。青年理论工作者李小山的《当代中国画之我见》,振荡了中国美术史理论批评方面的一潭死水,拉开了延续几年之久的关于中国画命运的讨论。美术思潮在中国文化思潮中占据如此地位是以往从来未曾有过的。
The mind and spirit in artistical creation of young painters were evaluted typically on the surveying basis of Chinese painting's creaction nearly years. The development of Chinese modern arts should import the cream of foreign culture as well as keep the cream of our national culture.
出处
《美苑》
CSSCI
1997年第6期49-52,共4页
