摘要
西方文化主、客体分离、对立的思维模式及由此形成的西方理性主义认识论传统,确立了西方美学“美真同一”的基本观念,并使得对真实的注重与强调成为西方文学基本的价值追求。西方现代社会主、客体的尖锐冲突,使非理性主义认识论发起对传统理性的攻击,并成为现代主义文学真实观的哲学基础。现代主义将真实归结为主观精神对现实之荒谬、丑恶的感受,将对真实的追求导向非理性,表现了对西方现实更彻底的否定和更激烈的抗议。但它以牺牲理性为代价,使现代主义真实观陷入进退维谷的困境,走上反现实、反文学的极端。
he separation of subject and object in western culture,the antagonistic thinking modes,and the trodition of the theory of knowledge of western rationalism based on the modes,have established the basic idea of 'identity of the beautiful and the true'in western aesthetics and made the stress and emphasis oil the true become the basic persue of value of western literature.The sharp conflict between subject and object in western modern society has led to the attack on troditional theory of knowledge by irrationalist theory of knowledge,has become the philosophical basis of the views on the true of modernist literature.Modernism looks oil the ture as an absurd and ugly feeling toward reality,and leads the seek of the true to irrationalism,which shows its more thorough negation of and sharper protest against the western reality. But this is at the cost of rationalism and has led the modernist views on the true to a dilemma and to the extream of anti-reality and antiliterature.
出处
《内蒙古师范大学学报(哲学社会科学版)》
1996年第1期79-85,共7页
Journal of Inner Mongolia Normal University:Philosophy and Social Sciences Edition
关键词
真实
美真同一
非理性主义认识论
现代主义真实观
主观真实
恶的真实
he true identity of the beatiful and the true irrational theory of knowledge moldernist views on the true subjective true the wicked true